Like it’s companion piece, “Gypsy Dancer”, “Gypsy Drums” is a small watercolor on paper that was painted on a weekend at a local renaissance fair, in 1996. This small piece was inspired by the dancing of an associate of that time, named Margrit, an exotic and passionate Armenian woman of great beauty. Shortly after these pieces were painted, I changed artistic direction and began to work almost exclusively in acrylic on canvas, in the abstract, and exploring mixed-media work. I have often found that between big changes in style or focus, I return to small watercolors, or pen & ink sketches to ‘get by on’ creatively.
“Gypsy Dancer” is a small watercolor on paper that was painted on a weekend at a local renaissance fair, in 1996. I had made a major life change, and my artistic focus and direction often also change as a result. This is one of a handful of pieces of small relaxed watercolor sketches I did just before I dropped everything to work in bolder, larger acrylics in the abstract. This small piece, and the companion piece “Gypsy Drums” were inspired by the dancing of an associate of that time, named Margrit, an exotic and passionate Armenian woman of great beauty.
Yesterday, I painted “What About My Heart” for “Blue Shirt Day” a World Bullying Prevention day, showing solidarity and standing opposed to bullying. Please treat people well. When you see someone being treated badly, please make a point of objecting. It’s that easy. Here’s a relevant website, for resources.
Today is World Bullying Prevention day. It’s ‘Blue Shirt Day’ for Stomp Out Bullying(.org). Bullying is no joke, and people are hurt by it’s callousness and brutality every day. If you see it, stop it; words are enough. Bullies function because people aren’t ‘calling foul’ on their bad acts. Today is a good day to make a point of calling it out when you see it, and saying it’s not okay. Today is a good day to set an example; be the change you wish to see in the world. Teach Wheaton’s Law – it’s a great starting point for treating others well. The Four Agreements, too, teach us all we could ever need to know about treating each other well. We have all the resources in the world to build a culture that discourages bullying. Please take time to do what you can, yourself, in your family and in your community, to send a message that bullying is not okay.
If it can be said that ‘it stops being funny when someone gets hurt’, then I suggest it isn’t funny in the first place. Please help end bullying, every day.
In the early 80’s, when I began to paint seriously, I painted primarily in watercolor, and on paper. This small piece (5″ x 7″) painted of the city of Augsburg, where I lived at that time, is very typical of the period. Painted in 1985, it is reminiscent, for me, of the delicate watercolor and gouache illustrations in so many of the children’s books I grew up with. This watercolor remains in my personal collection out of sentiment, however it is available for sale.
This light fun floral impression was inspired by a bed of Lamb’s Ear in summer, blasted by the brilliant midday sun, and having caught my eye and distracted me from conversation I attempted to capture the moment, and the quality of light. A small 8″ x 10″ piece on canvas, it is also dramatic when charged and viewed in the dark.
This one is a favorite piece of glow work; I love the perspective shift, and the appearance of a moonlit garden.
“Upon Closer Inspection” is an exploration of color and texture outside my usual materials. The vibrant green isn’t one I make a practice of working with, and having started out with it, I continued exploring the opportunity by also using new glow material. I had run out of phosphorescent acrylic paint, and the local art shop had none of quality in stock (many stores don’t consider glow in the dark to be a ‘professional use’ characteristic, and stocking it is a low priority). They had a sale bin, and in the sale bin were several craft kits for making glow-in-the-dark projects; they included packets of glow crystals. I used those, and clear medium with the googly eyes I had on hand to complete the piece, hoping to convey something about the idea that what we see up close isn’t always predicted by what we view from a distance… or perhaps something about life taking unexpected forms (or directions). It’s a small piece, at 8″ x 10″. This piece is available for purchase.
“Communion” is a piece inspired by love and loving, and by both the effort and rewards in building lasting love between partners over time. Inspired specifically by my relationship with my partner Michael, it also speaks of a profound change in my own understanding of love and loving, intimacy, and what love demands of us as beings seeking fulfillment, value, and nurturing. A larger work at 24″ x 36″, it represents the way love looms large in the human experience, the emotion – as with the footprint of the canvas – being far more vast and encompassing that the enveloped figures seem to require to be visible. This piece is in my personal collection, and is not for sale.